Printing

A delicious blur of pastries and studio time

Friday morning deserves mentioning simply because it was the last day of my uninterrupted art month. It required strong Oso coffee and a breakfast bun made by the gorgeous Rew (toasted croissant, scrambled egg, alfalfa sprouts, tomato, melted cheddar and Antoinette's Salt Spring dip). I went down to the old brick building that was Ellison's grain mill and is now Ellison's Market, a general store for the health-foodie, gardener, pet owner and tea lover, to get cat kibble and vegetables. Usually I bring home a little food each day but working at home has meant the fridge running low, very low in between town days.

The rest of the day was a blur of silkscreening and sewing.

Oooh, I wish I could write that every day. The rest of the day was a blur of silkscreening and sewing. Yes.

I am happy to report there is a giant vat of walnut dye on my stovetop with a duvet cover transitioning through various shades of coffee over the weekend. With the lid on, it really smells okay.

Somehow during the afternoon I gained the audacity to finally print a few years worth of  "poetry" which will make its way onto a screen and then merge with the leaves and birds on my fabrics.

All in all, it was a successful last day to my art month. I have loved my freedom immensely and will seek out more in the spring. For now I'll squeeze my hemming and printing and various processing into the hidden moments between work and dinner and sleep.

Saturday was something else entirely. It was the birthday of wonderful Cor, and was fittingly devoted to baked goods. Wise girl that she is, she requested that all her guests bring pie. To start off the day on the right foot, I whipped up some raspberry peach chocolate muffins using a blend of prairie grown ancient grains, and coffee of course. Then I traipsed through the drizzly rain to Cor's house and we talked baking over some more coffee and then we made a sour cherry-black cherry pie and an apple cake, drank cherry juice and flipped through recipes. Then the pies and celebrators began to arrive and we feasted. True to style, it was a glorious spread. Particularly of note was Gavin's "Kootenay Lime Pie" which seemed to be a particularly excellent rendition of traditional key lime pie.

I think I've hit on a new technique for parents. You see, I ate nothing but baked goods all day and around seven o'clock was struck with a strong urge to eat salad. Hefty winter greens salad comprised of rainbow chard and lacatino kale, the kale "massaged" as I have been couseled (impatiently, however, so it was more of rough toussle). The intense greenness of the greens were balanced by sliced carrot, chopped roasted almonds and cubed rocky mountain cheddar. I like to make salad in my favorite metal mixing bowl, whisking the dressing in the bottom (olive and flax oils, crushed garlic, apple cider vinegar, nutritional yeast, tamari, maple syrup, grainy mustard, tumeric, marjoram, poultry seasoning and pepper). When it's just me eating the salad, which it generally is around here, Jeremy's reaction to kale being to give it to the mice, I will sometimes (read: yesterday, often) eat it out of the giant silver bowl. I will say in my defense, that it's an excellent bowl, handy for not spilling salad when vigorously tossing it, also handy for washing dishes in, with the added benefit of chiming charmingly when clanged into something.

a full month free from long scheduled days; more sky showing between tree branches

Sunwashed streets are whispering summer. The air outside is delicious today. A hint of a breeze lingers in high branches moving past sunning crows and rusty oak leaves. These and the glossy acorns on the ground remind me that it's November. The snowline is so close I could hike to it from here, and touch the bluish trees in their finely chiseled white coats. Inside, there are cats and coffee. Projects begun and projects that are but shapes in my head and scribbled notes.

I have neglected to write for so many reasons. Staying up late and waking tired, then sleeping more. Morning walks and the distraction of a good book (The Homemade Pantry by Alana Chernila). A lack of new studio endeavors that sound thrilling to the casual ear. I have been sewing, some. Ironing, lots. Printing a vivid orange swath of cotton from my onion skin dyepot and a lustrous straw coloured linen cloth that went into the onion skins after. I am experimenting with printing small line drawings - a dabbling in toiles that I have long considered, and am now working to incorperate into my usual freehand floral motifs. The walnut hulls are still lurking conspicuously in the kitchen. Each morning I strain out the dark liquid and add more water from my leftover onion skin bath, and heat the acrid sludge once more. I will keep at this until all the colour has been extracted or until I fill my largest dye vat. Both in efforts to increase the richness of colour and to hopefully overpower the strong walnut hull odor, I'm adding coffee grounds to the pot.

A full month free from long scheduled days has led to an interesting, though perhaps not surprising restructuring of my days. It turns out I'm useless in the morning at anything that disallows puttering. Afternoon and early evening are strong studio hours. A need for dinner and all things related inserts itself next, then the hours that follow tend to be productive and focused, but not always spent in the studio. Sometimes the household requires cookies, like the chocolate peppermint ones, but with orange extract instead of the mint. All of a sudden, the clock insists that it is very late and bed is essential if I really think I can wake up at seven thirty or eight. It's a rough life, arting full time. I'm going to miss it.

A few small truths: I wipe my fingers on my apron when I'm printing. I don't like to wear gloves. Back in school, I would come home splotched blue and yellow and red all the way up to my elbows. My favorite squeegee is a small plastic dough scraper. I don't even own a t-square and haven't done a registered repeat since the day I learned how. Sometimes I don't remember how I made the colours I get because I add things after I write it down. It is an intuitive process, this printing of mine.

We have had the pleasure, this November, of experiencing nearly every kind of weather. There have been rainy days, which are good for sewing, and glorious warm days where shortsleeves are an entirely reasonable wardrobe option, then some exciting wind that kept us up one night and blew leaves into a thicker carpet on the sidewalks and left more sky showing between tree branches. On Sunday morning, we woke up to snow falling thickly. (This required a bike ride down a slippery, steepish trail, squealing disc brakes cutting into the blanket of quiet in the forest.)

My studio month is wrapping up yet I feel like I've just begun the process of making art in a much more real sense. This will continue.